Creating dignified memorials and ceremonies for unidentified or unclaimed people at the end of life.
This project was my senior thesis at Pratt Institute. It won 2024 Change Agent and Activism in Sustainability Award as well as was presented at Design x NYC for Student Research. It is also in the running for the Pratt Materials Prize and will be shown in person at the exhibition in the fall.
COMMUNITY GRAVESTONE is an equitable gravestone design for Potter’s Fields. It is an impermanent memorial made from local adobe for individuals who are interred in mass graves. The ritual seeks to provide dignity, remove the stigma of these cemeteries, and create a space for collective grief by creating gravestones and arrangements for a communal burial space. Nature is used as a tool to acknowledge the cyclical quality of life and the interconnectedness of all beings to create a welcoming space for the living and the dead.
Hart Island is New York City’s Potter’s Field for the unclaimed and unidentified located off the Bronx. There are over a million unidentified New Yorkers buried on the island.
After identifying the core values for the design, I started storyboarding a concept for an interactive making ceremony and memorial that allows the public to acknowledge and pay respects to those who are buried.
Hart Island is a burial site that goes through immense change. It felt necessary to find a material that also goes through change to symbolize the impermanence of these memorial spaces, our memories, our lives, and the change of our grief cycles. For this reason I decided to use local adobe (clay, sand, silt, and hay) which with break down into the soil overtime.
I learned that Long Island has a vast number of clay deposits due to its large numbers of rocky cliff beaches where waves erode layers of sediments from the rocks. To my astonishment the cliffs were oozing with fresh clay. I foraged local materials so when the adobe erodes it goes back into the place where it came from.
The mold was designed as simple and intuitive as possible to allow the grave making process to be easy for the cemeteries to output.
The gravestones are laid out in the field with suggested pattern arrangements. People as well as plants and insects are invited to come and appreciate the forms and pay tribute to the members of the community who are buried there.
And so, For a moment’s time these physical bricks will exist above the mass graves, slowly evolving as hints of lichen and bugs inhabit its crevices. Eventually, the brick will combine with the soil that is made up of those who were buried before. New life grows from the soil and the pattern continues.